JokersUpdates.com: Current Affairs - South Park writer who owns Trump Kennedy Center web domain profanely responds to legal pressure to give it up.

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BREAKING: “GO F*CK YOURSELVES” — South Park writer who owns Trump Kennedy Center web domain profanely responds to legal pressure to give it up.

In what may be the pettiest culture-war skirmish of the year, South Park writer Toby Morton has apparently driven Donald Trump’s orbit into a full-blown meltdown — not with a protest, not with a lawsuit, but with a website and a sense of humor.

As we reported earlier, after Trump allies began floating plans to rechristen the Kennedy Center in his own image, Morton quietly snapped up the domain TrumpKennedyCenter.org and filled it with the kind of deadpan satire that hits hardest because it barely exaggerates reality. The result? A perfectly skewered monument to authoritarian vanity — and, reportedly, a flurry of legal threats from lawyers who did not appreciate the joke.
Morton’s response was swift, surgical, and devastatingly funny.

“Satire is protected speech,” he wrote. “Confusion is a legal requirement, not a feeling. Political parody is not infringement. Criticism is not cybersquatting, and trademark law isn’t a panic button for institutions that don’t like being laughed at. I’ll proceed accordingly while you go ---- yourselves. Dog bless.”

Ouch.

The mock website itself reads like a fever dream scripted by Kafka and produced by Fox News. Visitors are welcomed to “A National Institution Devoted to Power and Loyalty,” where “tradition is preserved, narratives are curated, and history is… selectively remembered.” The site promises future “ceremonies,” “sanctioned appearances,” and a chilling declaration: Participation is not required. Belonging is expected.

Even the visual gags cut deep — a faux logo invoking the Kennedy Center’s iconic silhouette, flanked by Trump’s name and a redacted reference to a “13-year-old girl,” a brutal satirical nod to the long, uncomfortable history surrounding Trump, Epstein, and institutional silence.
The pièce de résistance? A fake upcoming event promising a performance by the “Epstein Dancers.” It’s not subtle — and that’s the point.

What makes the whole episode sting is how little exaggeration is actually required. Morton didn’t invent authoritarian aesthetics or cultish loyalty. He simply mirrored them back, slightly sharpened, and let the reflection do the damage.

In response, Trump-world reportedly reached for lawyers instead of a sense of humor — proving the satire’s thesis in real time.
As Morton made clear, parody isn’t theft. It’s commentary. And judging by how hard this landed, the joke hit exactly where it was meant to.

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